|
ID |
Image |
Painting (From A to Z) |
Details |
|
62994 |
|
. Wedding Procession |
1304-06 Fresco, 200 x 185 cm Cappella Scrovegni (Arena Chapel), Padua Mary walks in front of her companions and is led to the house other parents, where she is received by musicians. This group alone lends a cheery air to the sombre procession. The bay window of the house, from which a palm leaf juts out as an allusion to the imminent birth of the Lord, appears again in the representation of the Annunciation. In this way Giotto incorporates the Bridal Procession of the Virgin into the sequence of the narrative. The fresco was damaged by the humidity. Artist: GIOTTO di Bondone Painting Title: No. 12 Scenes from the Life of the Virgin: 6. Wedding Procession , 1301-1350 Painting Style: Italian , , religious |
|
52369 |
|
Allegory of Chastity |
c. 1330 Fresco Lower Church |
|
62982 |
|
Allegory of Chastity |
1330 Fresco Lower Church, San Francesco, Assisi Extremely vivid and bizarre figures of demons are being cast into the abyss. They are Unchasteness (Immunditia) with the boar's head, Burning Desire (Ardor) with the flaming head, and Love (Amor) with the clawed feet and the hearts tied around him. The round is completed by the spider-legged, devilish Death (Mors). Artist: GIOTTO di Bondone Painting Title: Franciscan Allegories: Allegory of Chastity (detail) , 1301-1350 Painting Style: Italian , , religious |
|
44382 |
|
Allegory of Obedience |
c. 1330 |
|
52359 |
|
Allegory of Poverty |
c. 1330 Fresco Lower Church |
|
33310 |
|
Anna and Joachim Meet at the Golden Gate |
mk86
1303-1305
Fresco,
c.185x200cm
Padua,Arena Chapel
|
|
21150 |
|
Anna and Joachim Meet at the Golden Gate (mk08) |
1303-1305
Fresco.c.185x200cm
Padua,Arena Chapel |
|
44364 |
|
Annunciation to St Anne |
200 x 185 cm |
|
52385 |
|
Annunciation to Zacharias |
1320 Fresco, 280 x 450 cm |
|
44356 |
|
Apparition at Arles |
1297-1300
270 x 230 cm |
|
52392 |
|
Apparition at Arles |
1325 Fresco, 280 x 450 cm |
|
44358 |
|
Apparition to Fra Agostino and to Bishop Guido of Arezzo |
1300
270 x 230 cm |
|
52366 |
|
Ascension of Christ |
c. 1300 Fresco Upper Church |
|
52389 |
|
Ascension of the Evangelist |
1320 Fresco, 280 x 450 cm |
|
57224 |
|
Assisi Saint - Francois accept the stigma |
mk255 about for years in 1295-1300 plastic painting dyes, gold background, Yang wooden 3.13 meters high 1.63 meters wide Louvre |
|
62987 |
|
Baptism of Christ |
1304-06 Fresco, 200 x 185 cm Cappella Scrovegni (Arena Chapel), Padua In spite of the high quality details of this scene, the irrational representation of the water in which Christ stands indicates that Giotto was still influenced by medieval iconographic conventions. Artist: GIOTTO di Bondone Painting Title: No. 23 Scenes from the Life of Christ: 7. Baptism of Christ , 1301-1350 Painting Style: Italian , , religious |
|
44308 |
|
Baroncelli Polyptych |
c. 1334
Tempera on wood,
185 x 323 cm |
|
62956 |
|
Baroncelli Polyptych |
1334 Tempera on wood Baroncelli Chapel, Santa Croce, Florence Mary bows her head reverently in order to receive the celestial crown from the hands of her Son. Mother and Son form a whole through their gestures, but mainly through their garments: both are clothed in radiant bright white and pink worked through with gold. The elegance of their clothing, in particular the trumpet-shaped sleeves on Christ's robe, indicates a great affinity with the style of courtly Gothic. Artist: GIOTTO di Bondone Painting Title: Baroncelli Polyptych (detail) , 1301-1350 Painting Style: Italian , , religious |
|
44329 |
|
Birth and Naming of the Baptist |
280 x 450 cm |
|
48620 |
|
Birth of Christ |
mk191
1302-1305
Oil on canvas
|
|
62983 |
|
Birth of Jesus |
1304-06 Fresco, 200 x 185 cm Cappella Scrovegni (Arena Chapel), Padua The simple shelter under which the Virgin and her Child seek refuge is situated in the middle of a bleak rocky landscape. Mary turns on her side on the bed in order to receive the new-born baby from the arms of a midwife ?a natural and spontaneous gesture, which is captured by the way mother and child look at one another. Although on the periphery, this exchange of glances seems to be the actual centre of the portrayal, which is expanded to include the scene of the Annunciation to the shepherds. Artist: GIOTTO di Bondone Painting Title: No. 17 Scenes from the Life of Christ: 1. Nativity: Birth of Jesus , 1301-1350 Painting Style: Italian , , religious |
|
44361 |
|
Canonization of St Francis |
270 x 230 cm
|
|
44342 |
|
Christ among the Doctors |
200 x 185 cm |
|
44374 |
|
Christ Among the Doctors |
1310
|
|
62986 |
|
Christ among the Doctors |
1304-06 Fresco, 200 x 185 cm Cappella Scrovegni (Arena Chapel), Padua In a rich red robe, the little twelve-year-old Jesus sits in the temple and holds a discussion - as his gesture quite clearly indicates. The arches of the architecture seem to echo the young boy's speech and at the same time to concentrate events on him. The scribes listen closely and in doing so show quite different reactions. Only one of them is completely distracted by the appearance of the worried parents. Artist: GIOTTO di Bondone Painting Title: No. 22 Scenes from the Life of Christ: 6. Christ among the Doctors , 1301-1350 Painting Style: Italian , , religious |
|
52387 |
|
Christ before Caiaphas |
1304-06 Fresco, 200 x 185 cm |
|
52396 |
|
Christ Enthroned |
c. 1330 Tempera on panel |
|
44348 |
|
Confirmation of the Rule |
270 x 230 cm |
|
21955 |
|
Coretto (mk14) |
1305
Fresco
Cappella degli Scrovegni,Padua |
|
62963 |
|
Creation of Adam |
1304-06 Fresco Cappella Scrovegni (Arena Chapel), Padua The medallion showing the Creation of Adam is at the left side of the Raising of Lazarus. Artist: GIOTTO di Bondone Painting Title: Creation of Adam (on the decorative band) , 1301-1350 Painting Style: Italian , , religious |
|
33298 |
|
Crucifixion |
mk86
1303-1305
Fresco
Padua
Arena Chapel
|
|
21138 |
|
Crucifixion (mk08) |
1303-1305
Fresco.Padua,
Arena Chapel
|
|
62955 |
|
Daedalus after |
1334 Marble Museo dell'Opera del Duomo, Florence In Greek mythology Daedalus stands as a creative worker at the beginning of all art: Daedalus, the inventor of the labyrinth and of flying, is supposed to have been the first successfully to create a sculpture with arms akimbo and parted legs. Since he is thus supposed to have given life to figures for the first time, he is considered as the very first artist. The design of this relief, though not its execution, derives from Giotto. It shows Daedalus in a striding posture on top of a cupola that acts as a launching pad. All of his energy seems directed towards lifting his heavy, feather-covered body into the air. This concentration of energy corresponds to the energy of Giotto's painted figures. With one exception, this is the only portrayal of Daedalus to exist between the era of ancient Rome and the age of the Renaissance. Artist: GIOTTO di Bondone Painting Title: Daedalus , 1301-1350 Painting Style: Italian , , religious |
|
44357 |
|
Death and Ascension of St Francis |
270 x 230 cm |
|
52393 |
|
Death and Ascension of St Francis |
c. 1325 Fresco, 280 x 450 cm |
|
52383 |
|
Decorative band with figure |
1304-06 Fresco Cappella Scrovegni |
|
62969 |
|
Decorative band with figure |
1304-06 Fresco Cappella Scrovegni (Arena Chapel), Padua The band is at the left side of Joachim among the Shepherds. Artist: GIOTTO di Bondone Painting Title: Decorative band with figure , 1301-1350 School |
|
62971 |
|
Decorative band with figure |
1304-06 Fresco Cappella Scrovegni (Arena Chapel), Padua The band is at the left side of the Marriage of the Virgin. Artist: GIOTTO di Bondone Painting Title: Decorative band with figure , 1301-1350 |
|
52381 |
|
Decorative band with figures |
1304-06 Fresco Cappella Scrovegni |
|
52382 |
|
Decorative band with figures |
1304-06 Fresco Cappella Scrovegni |
|
62976 |
|
Decorative bands |
1304-06 Fresco Cappella Scrovegni (Arena Chapel), Padua The decorative bands on the walls above contain several scenes from the Old Testament and busts of saints and prophets. The Old Testament scenes are of a very modest standard, and owe their presence in the chapel to the Gothic tradition of representing parallels between the Old and New Testament. Some of the figures of saints and prophets are of very high workmanship, and among the most impressive of Giotto's repertoire. The two scenes on this wall detail are from the life of Christ: 11. Expulsion of the Money-changers from the Temple and 20. Mourning of Christ. Artist: GIOTTO di Bondone Painting Title: Decorative bands , 1301-1350 Painting Style: Italian , , religious |
|
62977 |
|
Decorative bands |
1304-06 Fresco Cappella Scrovegni (Arena Chapel), Padua The decorative bands on the walls above contain several scenes from the Old Testament and busts of saints and prophets. The Old Testament scenes are of a very modest standard, and owe their presence in the chapel to the Gothic tradition of representing parallels between the Old and New Testament. Some of the figures of saints and prophets are of very high workmanship, and among the most impressive of Giotto's repertoire. The two scenes on this wall detail are from the life of Christ: 8. Marriage at Cana and 23. Pentecost. *** Keywords: ************* Artist: GIOTTO di Bondone Painting Title: Decorative bands , 1301-1350 Painting Style: Italian , , religious |
|
44315 |
|
Descent into Limbo |
1320-25
Tempera on wood,
45 x 44 cm |
|
48623 |
|
Detail of Birth of Christ |
mk191
Oil on canvas
|
|
48624 |
|
Detail of Birth of Christ |
mk191
the face of the Virgin Mary |
|
52371 |
|
Dream of Innocent III |
1297-99 Fresco, 270 x 230 cm |
|
44362 |
|
Dream of St Gregory |
270 x 230 cm |
|
44345 |
|
Dream of the Palace |
270 x 230 cm
|
|
44351 |
|
Ecstasy of St Francis |
270 x 230 cm |
|
62989 |
|
Ecstasy of St Francis |
1297-1300 Fresco, 270 x 230 cm Upper Church, San Francesco, Assisi This is the twelfth of the twenty-eight scenes (twenty-five of which were painted by Giotto) of Legend of Saint Francis. The five scenes from The Vision of the Flaming Chariot to St Francis in Ecstasy (No. 8-12) are characterized by inferior workmanship, especially in the figures. This scene was executed partly by assistants. Artist: GIOTTO di Bondone Painting Title: Legend of St Francis: 12. Ecstasy of St Francis , 1301-1350 Painting Style: Italian , , religious |
|
62967 |
|
Elijah on the Fire-cart |
1304-06 Fresco Cappella Scrovegni (Arena Chapel), Padua The medallion showing Elijah on the fire-cart is at the left side of the Ascension. Artist: GIOTTO di Bondone Painting Title: Elijah on the Fire-cart (on the decorative band) , 1301-1350 Painting Style: Italian , , religious |
|
33308 |
|
Enthroned Madonna with Saints |
mk86
c.1305-1310
Tempera on wood
325x204cm
Florence,Galleria degli Uffizi
|
|
21148 |
|
Enthroned Madonna with Saints (mk08) |
c.1305-1310
Tempera on wood,
325x204cm
Florence
Galleria degli Uffizi |
|
52386 |
|
Entry into Jerusalem |
1304-06 Fresco, 200 x 185 cm |
|
44350 |
|
Exorcism of the Demons at Arezzo |
270 x 230 cm
|
|
44331 |
|
Expulsion of the Money-changers from the Temple |
1304-06 |
|
44330 |
|
Feast of Herod |
280 x 450 cm |
|
40128 |
|
Flight into Egypt |
mk156
200x185cm
1303-05
|
|
62984 |
|
Flight into Egypt |
1304-06 Fresco, 200 x 185 cm Cappella Scrovegni (Arena Chapel), Padua On a narrow rocky path, the procession seems to move past the viewer. Equipped with everyday objects, everyone is in motion, looking at one another and talking to one another - only the Virgin Mary sits still and unmoving. The statuesque nature other upright position is further reinforced by the rock behind. Although the child is as natural as can be, the central figures in the picture thus stand out from their surroundings and have a sublime effect. Artist: GIOTTO di Bondone Painting Title: No. 20 Scenes from the Life of Christ: 4. Flight into Egypt , 1301-1350 Painting Style: Italian , , religious |
|
19968 |
|
Francis Receiving the Stigmata (mk05) |
Wood 123 1/4 x 64 1/4''(313 x 163 cm).From the Church of San Francesco in Pisa entered the Louvre in 1814 INV |
|
62981 |
|
Franciscan |
1330 Fresco Lower Church, San Francesco, Assisi In a well-fortified castle, Chastity rules: only angels can enter here. In order to reach her, a long path must be followed. The representatives of the three divisions of the Franciscan order (a lay brother, a Franciscan and aClare) have climbed the hill. They too, as the middle scene shows, will be washed and dressed by angels. On the other side the extremely vivid and bizarre figures of demons are being cast into the abyss. They are Unchasteness (Immunditia) with the boar's head, Burning Desire (Ardor) with the flaming head, and Love (Amor) with the clawed feet and the hearts tied around him. The round is completed by the spider-legged, devilish Death (Mors). Artist: GIOTTO di Bondone Painting Title: Franciscan Allegories: Allegory of Chastity , 1301-1350 Painting Style: Italian , , religious |
|
52367 |
|
Frescoes in the fourth bay of the nave |
1290s Fresco Upper Church |
|
44339 |
|
Frescoes in the second bay of the nave |
Oil on canvas
|
|
44310 |
|
GIOTTO |
1320-25
Tempera on wood,
81 x 55 cm |
|
44370 |
|
God Sends Gabriel to the Virgin |
1306
230 x 690 cm |
|
44343 |
|
Homage of a Simple Man |
270 x 230 cm |
|
44352 |
|
Institution of the Crib at Greccio |
270 x 230 cm |
|
56590 |
|
jesus infor oversteprasten kajafas |
mk248 sodra vaggen, arenakapellet, padua giotto foruandlar taket med bjalkarna i kajafas sal till ett kistlock, det finns ingen mojligbet att fly. det finns sa mycket rorelse i bilden att det tar ett tag innan man ser fesus sorgsna blick mot den balvt dolde petrus, som just fornekat att ban var en av bans larjungar. |
|
44363 |
|
Joachim among the Shepherds |
1304-06
200 x 185 cm |
|
62991 |
|
Joachim among the Shepherds |
1304-06 Fresco, 200 x 185 cm Cappella Scrovegni (Arena Chapel), Padua Sad and introverted, Joachim arrives among the shepherds. Using the contrast between the lively sheep, the dog that greets him, and the knowing glances of the shepherds, Giotto elucidates his state of mind in the voluminous, closed form of the saint. Artist: GIOTTO di Bondone Painting Title: No. 2 Scenes from the Life of Joachim: 2. Joachim among the Shepherds , 1301-1350 Painting Style: Italian , , religious |
|
33309 |
|
Joachim Takes Refuge in the Wilderness |
mk86
c.1303-1305
Fresco.
c.185x200cm
Padua,Arena Chapel
|
|
21149 |
|
Joachim Takes Refuge in the Wilderness (mk08) |
C.1303-1305
Fresco.c.185x200cm
Padua,
Arena Chapel
|
|
62992 |
|
Joachim's Sacrificial Offering |
1304-06 Fresco, 200 x 185 cm Cappella Scrovegni (Arena Chapel), Padua In the open countryside, Joachim has sunk to the ground and catches sight of an angel, who indicates to him that his sacrifice has been accepted. Colour is used to establish a connection between these two figures, illustrating the miraculous nature of events. As so often, Giotto also employs a figure here who comments on the action ?the praying shepherd. In his colorings, he is closer to the rocks and the animals. He too recognizes the hand of benediction in the sky. Artist: GIOTTO di Bondone Painting Title: No. 4 Scenes from the Life of Joachim: 4. Joachim's Sacrificial Offering , 1301-1350 Painting Style: Italian , , religious |
|
44365 |
|
Joachim-s Dream |
200 x 185 cm |
|
52375 |
|
Joachim-s Sacrificial Offering |
1304-06 Fresco, 200 x 185 cm
|
|
34384 |
|
Joachims Traum |
mk92
1304-1306
Padua,Arenakapelle
|
|
62961 |
|
Jonah Swallowed up by the Whale |
1304-06 Fresco Cappella Scrovegni (Arena Chapel), Padua The medallion showing Jonah swallowed up by the whale is at the left side of the Lamentation. Artist: GIOTTO di Bondone Painting Title: Jonah Swallowed up by the Whale (on the decorative band) , 1301-1350 Painting Style: Italian , , religious |
|
44332 |
|
Judas-Betrayal |
150 x 140 cm |
|
30389 |
|
Lamentation over the Dead Christ |
mk68
Fresco
Padua
Arena Chapel
c.1306
Italy
|
|
30947 |
|
Lamentation over the Dead CHrist |
mk68
c.1306
|
|
56591 |
|
lasarus ateruppstar fran de doda |
mk248 norra vaggen, arenakapellet, padua lasarus,bror till marta ocb maria, bar varit dod i fyra dagar. hans systrar bar blokt nog tackt over ocb munnar nar graven oppnas ocb fesus mirakulost nog ateruppva cker bonom till livet. giotto bar placerat fesus ocb lasarus sa att de aterspeglar varandra ocb budskapet ar att fesus inom kort ocksa ska do ocb ateruppsta fran de doda. |
|
30388 |
|
Last Judgement |
mk68
Fresco
Padua
Arena Chapel
c.1306
Italy
|
|
62962 |
|
Last Judgement |
1306 Fresco Cappella Scrovegni (Arena Chapel), Padua The detail shows Christ the judge is enclosed within a mandorla, surrounded by angels. *** Keywords: ************* Artist: GIOTTO di Bondone Painting Title: Last Judgement (detail) , 1301-1350 Painting Style: Italian , , religious |
|
44327 |
|
Last Judgment |
1000 x 840 cm
|
|
52380 |
|
Last Judgment |
1306 Fresco, 1000 x 840 cm |
|
62959 |
|
Last Judgment |
1306 Fresco, 1000 x 840 cm Cappella Scrovegni (Arena Chapel), Padua This extensive depiction of the Last Judgment in the west of the church is dominated by the large Christ in Majesty at its centre. The twelve apostles sit to His left and to His right. Here the two levels divide: the heavenly host appears above, people plunge into the maw of hell below, or are led by angels towards heaven. The way this large fresco is divided into registers is traditional. But if we look at Giotto's invention in detail, then his novel attempts at visualizing different spheres, as well as abstract beliefs, become particularly apparent. In the center of the representation, Christ is enthroned as supreme Judge in a rainbow-colored mandorla. The deep, radiant gold background, the style of painting, and the delicate substance give the impression that the heavens have opened in order to reveal the powerful, extremely solidly modelled figure of Christ. Different levels are likewise alluded to when the choirs of angels disappear behind the real window, or when the celestial watch in the upper area of the picture rolls back the firmament, behind which the golden-red doors of the heavenly Jerusalem shine forth. The black and red maw of hell, which seems to anticipate Dante's "Inferno", is different again in its impact. The way in which Giotto establishes a connection between the present-day world of the faithful and the world beyond all time, the world of the Last Judgment, contains another interesting detail. The donor Scrovegni, still alive at the time, kneels next to those being resurrected and offers "his" church to the three Marys, assisted by a priest. The latter is portrayed in a most lively manner: his robes hang - painted quite illusionistically - over the arch of the portal. Artist: GIOTTO di Bondone Painting Title: Last Judgment , 1301-1350 Painting Style: Italian , , religious |
|
62964 |
|
Last Judgment |
1306 Fresco Cappella Scrovegni (Arena Chapel), Padua This detail represents angels located below the Apostles on the left side of the fresco. Artist: GIOTTO di Bondone Painting Title: Last Judgment (detail) , 1301-1350 Painting Style: Italian , painting |
|
62965 |
|
Last Judgment |
1306 Fresco Cappella Scrovegni (Arena Chapel), Padua The Blessed, men and women, representatives of the secular and the sacred, are accompanied on their ascent by angels. The differently formed, thoroughly individual heads seen in profile, the gazes, the posture of the hands and the whole bodies are focused as if spellbound on the higher goal. Artist: GIOTTO di Bondone Painting Title: Last Judgment (detail) , 1301-1350 Painting Style: Italian , , religious |
|
62966 |
|
Last Judgment |
1306 Fresco Cappella Scrovegni (Arena Chapel), Padua The ground has opened up and the naked people clamber out of their coffins. Some are still completely occupied with themselves or are helping one another; others have already raised their hands in prayer. They appear as full of hope as the ranks of the Blessed above them. There, men and women, representatives of the secular and the sacred, are accompanied on their ascent by angels. The differently formed, thoroughly individual heads seen in profile, the gazes, the posture of the hands and the whole bodies are focused as if spellbound on the higher goal. Artist: GIOTTO di Bondone Painting Title: Last Judgment (detail) , 1301-1350 Painting Style: Italian , , religious |
|
62968 |
|
Last Judgment |
1306 Fresco Cappella Scrovegni (Arena Chapel), Padua Artist: GIOTTO di Bondone Painting Title: Last Judgment (detail) , 1301-1350 Painting Style: Italian , , religious |
|
62970 |
|
Last Judgment |
1306 Fresco Cappella Scrovegni (Arena Chapel), Padua Artist: GIOTTO di Bondone Painting Title: Last Judgment (detail) , 1301-1350 Painting Style: Italian , , religious |
|
62972 |
|
Last Judgment |
1306 Fresco Cappella Scrovegni (Arena Chapel), Padua The Prince of Hell, a giant monster, is enthroned on a dragon. He grabs the damned and eats them. Artist: GIOTTO di Bondone Painting Title: Last Judgment (detail) , 1301-1350 Painting Style: Italian , , religious |
|
40127 |
|
Legend of St Francis St Francis Preaching before Pope Honorius Ill |
mk156
1296-1297
Fresco
|
|
62980 |
|
Legend of St Francis: Scenes Nos |
4-6 1297-99 Fresco Upper Church, San Francesco, Assisi The walls of the nave are divided up by an illusionistic framework. The width of each bay is taken up by three scenes, more or less square in shape. The scenes from the life of St Francis are represented in triplets. Artist: GIOTTO di Bondone Painting Title: Legend of St Francis: Scenes Nos. 4-6 , 1301-1350 Painting Style: Italian , , religious |
|
62957 |
|
Madonna and Child |
1297 Tempera on wood Private collection This panel was painted for a chapel in the church Santa Maria sopra Minerva in Rome. Artist: GIOTTO di Bondone Painting Title: Madonna and Child , 1301-1350 Painting Style: Italian , , religious |
|
33243 |
|
Madonna in Maesta |
mk83
c.1310
|
|
30392 |
|
Madonna in Majesty |
mk68
Tempera on wood
Florence,Uffizi
Early Italian.
|
|
52370 |
|
Marriage at Cana |
1304-06 Fresco, 200 x 185 cm |
|
62988 |
|
Marriage at Cana |
1304-06 Fresco, 200 x 185 cm Cappella Scrovegni (Arena Chapel), Padua The comic characterization of the guests and servants is noteworthy in this scene. Artist: GIOTTO di Bondone Painting Title: No. 24 Scenes from the Life of Christ: 8. Marriage at Cana , 1301-1350 Painting Style: Italian , , religious |
|
52376 |
|
Marriage of the Virgin |
1304-06 Fresco, 200 x 185 cm |
